 
Perhaps no twentieth century writer was so observant and elegant a chronicler of  his times as Truman Capote. Whether he was profiling the rich and famous or creating  indelible word-pictures of events and places near and far, Capote’s eye for detail  and dazzling style made his reportage and commentary undeniable triumphs of the form.  
 Portraits and Observations is the first volume devoted solely to all the essays  ever published by this most beloved of writers. From his travel sketches of Brooklyn,  New Orleans, and Hollywood, written when he was twenty-two, to meditations about  fame, fortune, and the writer’s art at the peak of his career, to the brief works  penned during the isolated denouement of his life, these essays provide an essential  window into mid-twentieth-century America as offered by one of its canniest observers.  Included are such celebrated masterpieces of narrative nonfiction as “The Muses Are  Heard” and the short nonfiction novel “Handcarved Coffins,” as well as many long-out-of-print  essays, including portraits of Isak Dinesen, Mae West, Marcel Duchamp, Humphrey Bogart,  and Marilyn Monroe. 
 Among the highlights are “Ghosts in Sunlight: The Filming of  In Cold Blood, “Preface to Music for Chameleons, in which Capote candidly recounts  the highs and lows of his long career, and a playful self-portrait in the form of  an imaginary self-interview. The book concludes with the author’s last written words,  composed the day before his death in 1984, the recently discovered
 “Remembering Willa  Cather,” Capote’s touching recollection of his encounter with the author when he  was a young man at the dawn of his career. 
 Portraits and Observations puts on display  the full spectrum of Truman Capote’s brilliance. Certainly, Capote was, as Somerset  Maugham famously called him, “a stylist of the first quality.” But as the pieces  gathered here remind us, he was also an artist of remarkable substance.